 Bachata, popular rhythm that many artists have brought fame and fortune, is a genre that could be interpreted without any reserves, both by a man, as a woman. However, very few (not to say any), the female artists who have succeeded, after embarking on recording a solo album bachata.
With the exception of Sonia Silvestre, who in the 80's transpired with the incursion of technology called bachata, bachata most (around 20 artists) have no "foot ball" part of 'pace bitter.
There are many reasons that producers, promoters and entrepreneurs, among other music professionals, argue in causing the little support they have had women. However, it does not explain how female performers with the requisite qualifications, good management, relationship vocal, as interpreter and a good economic investment were not disclosed.
Cholo Brenes says, in this particular, that the absence of true artistic producers and music business, has resulted in not only the female bachata, but folk music in general, has been stranded.
"She has not yet been attuned to the public, not only in bachata, in other musical genres. Folk music in general has not advanced at all. In addition, producers lack and artistic entrepreneurs, "said Brenes in an interview with El Caribe.
however, are more than enough examples of men who are players in this pace, most with high international recognition and amass a fortune now cost on the basis of his artistic career as bachata.
Silfa For the singer Susan (Mary dear), "is really a macho genre and perhaps the problem is that we women do not play the first guitar (clarinetist), could be one reason."
Meanwhile, the speaker Aridi Castillo argues that "the very public who has rejected the female performers bachata, perhaps for the content of his lyrics, because the bachata is love, heartbreak and broken veins. "
Another reason that developers, as the artistic entrepreneur Carlos Aquino, understand that have affected the growth of many catantes of this style of popular music is that "women are not left bachateros manage, and want them to sing what they Like, not commercial. " Women international success Sonia Silvestre arrived in the early 80's with their techno bachata, and with songs like "Want to sleep" and "watchman", written and musical production of Luis Dias and Manuel Tejeda, broke the spell of negative female performers of bachata.
Another exception, in this sense we might mention, is Alexandra, who after breaking with the famous duo is looking for ways to confer upon the success he enjoyed with Monchy, now alone. Alexandra's voice, with its melody and nuances, is the most outstanding in the pace once bitter. (In my writings in the Caribbean)
|
0 comments:
Post a Comment